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Best Price Found On Gokudo – Magician Extraordinaire At Amazon.

January 20th, 2011

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Best Price Found On Gokudo – Magician Extraordinaire At Amazon..

Product: Gokudo – Magician Extraordinaire

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There are edifying, sparkling princes who traverse afar for the superior of society, defending the stale, giving money to the bad… And then there’s Gokudo. An ill-tempered, lecherous, money-grubbing adventurer whose only thoughts are for his fill safety and pleasure, he manages to accidentally put at least four people every episode, usually stealing from them in the process. His goals are never unbiased, and his methods are evil, but he’s got spunk. Each episode is laugh-out-loud hilarious, the fight scenes are most advantageous, and the enemies are wonderful. A must-see for the Slayers fan.

Gokudo: Collection Extraordinare collects all the six individually released disks for the series and keep them in one over-sized pack. Spanning 26 episodes this is both one really looong breath of unusual air compared to your typical fantasy anime.

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First of, let me say one thing. I simply can’t aid but Esteem Gokudo, the exraordinary main character! Seeing him mess things up in his unending quest for fame and riches (in the most arrogant draw possible) is encredibly sharp. In short I’m a dinky biased in this review, but who wouldn’t be after loving a series.

The explain features about five main myth arcs that really go all over the site. One has Gokudo felling the Magic King from power, another has him near in conflict with the Buddah, God and Magic World races in one ample confrontation and yet another has him face off against Buddaha and Magic World people with the fate of the entire world resting on his actions! A cramped over the top, I know, but the slap-stick, often shining (a better word would be contextual…), keeps things running light. Gokudo and his companions are always fighting and arguing. Fighting and arguing. Not at all what you’d always query from a group who’s destined to set the world… somehow.

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Basically, you have more comedy than you can shake a stick at and, even though it won’t appeal to everybody, it will definetally have an impression. The deny actors (in both Japanese and Enlgish) to a noble job making everything… absurd. As for dwelling, it may earn a minute overwhelming and overcomplicated with so great going on so like a flash throughout the display that is may loose other peole who honest want to relax their brains and go on auto.

Recommended! Tired of white-knights saving the world with charm and salubrious looks? Collect Gokudo: Collection Extraordinare! Its not perfect but at least it is (you guessed it) Extraordinare.
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Yu-Gi-Oh – The Master of Magicians Saga Streaming

December 22nd, 2010
Yu-Gi-Oh - The Master of Magicians Saga Streaming. Yu-Gi-Oh – The Master of Magicians Saga Streaming.

Movie Title: Yu-Gi-Oh – The Master of Magicians Saga
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Yu-Gi-Oh – The Master of Magicians Saga is available for streaming or downloading.

Click Here to Stream or Download Yu-Gi-Oh – The Master of Magicians Saga

The Master of Magicians Saga is my popular saga in the whole series! Yugi gets kidnapped into an underground dueling position. There, he meets Arcana, an injurious magician who challanges Yugi to a duel. And not only does Yugi have his current card and Millenium puzzle on the line, if he loses an energy saw will send him to the shadow realm. During the duel, Arcana is easily taking out Yugi, and when Yugi summons the Unlit Magician, Arcana summons another, even stronger, Gloomy Magician! In the kill, we know that exiguous Yugi wins again, but this was one of the most intense duels ever.

Another best Battle City Saga.This DVD contains 3 eposodes. All 3 eposodes of The Master of Magicans.A Rare Hunter Arcana invites Yugi to a abanded circus where Yugi must duel Arcana. But if one of them loses a blade cuts there body in half and they gather sent to the Shawdow Realm.But Arcana also has a Sad Magican or 2.Yugi must summon Sad Magican Girl 2000 but does she stand a chance against Arcanas Dim Magican 2500.Ionly gave it a 4 star because Battle City gets better.
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Get The Cincinnati Reds 1975 World Series Blu-ray At Amazon!

August 10th, 2010
Get The Cincinnati Reds 1975 World Series Blu-ray At Amazon!.
Get The Cincinnati Reds 1975 World Series Blu-ray At Amazon!.

Product: The Cincinnati Reds 1975 World Series
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This has been attach up there as the greatest or one of the greatest World Series ever played. It has all the credentials. Sparky Anderson had do together a spacious team that would remain expansive for many years. They had Tony Perez, Joe Morgan, Pete Rose, Johnny Bench and more. The Red Sox had Jim Rice, Fred Lynn and Carl Yastremski for an outfield and Carlton Fisk for a catcher. Yet it is the tiny known player not destined for Cooperstown who sometimes have a gargantuan moment in the World Series. Billy Martin and Bobby Richarson for the 1952 and 1960 Yankees respectively. Al Gionfreddo for his find on Joe D. in 1947. Sandy Amoros for his fetch on Yogi Barra in 1955 and many others. In this series there was a very clutch home rush by Bernie Carbo of the Reds.

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Of course the most well-known home rush of th series was Carlton Fisk’s because

(1) It won game 6 for the Red Sox and (2) it took the series to a decisive 7th game and (3) it was so halt to the left field tainted pole that Fisk went down the first horrible line and tried to “wave” the ball pretty (a very familiar peep every time the home hasten is shown) .

SOME RIGHT-OFF-THE-BAT DVD STATS:

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Number of DVDs — 7 (Single-Sided) .

Video — Plump Frame 1.33:1. (A few of the bonus interviews are presented in Widescreen, approx. 1.78:1.)

Audio — English Dolby Digital 2.0 Stereo (Re-Mixed From Unique Mono Source) .

Color or B&W — Color.

Subtitles — None.

Packaging — 7 Slim Cases With Outer Slipcase.

Any Separate Paper Enclosures Included? — No.

DVD Marketers/Distributors — MLB Properties Inc.; A&E Home Video; Original Video Group Inc.

DVD Release Date — June 13, 2006.

————————————————

It’s hard for me to imagine owning a better collectible keepsake of the stellar 1975 World Series than what A&E Home Video and Major League Baseball Properties have build together for baseball fans here — a 7-Disc DVD compilation featuring all seven games from the fresh NBC-TV network telecasts (with Tony Kubek, Curt Gowdy, Joe Garagiola, and Reds’ play-by-play man Marty Brennaman, among others, at the microphones calling the action) .

All of these games are presented complete and uncut, with two exceptions — a half-inning of Game 2 (top of the 2nd) and 1-and-a-half innings (plus one additional batter) of Game 3 are missing on these DVDs. Evidently that video footage could not be obtained by A&E/MLB for this collector’s region.

The missing moments of Games 2 and 3, however, do not involve either team’s scoring. So no immense home runs, RBIs, or crucial plays are section of the AWOL footage.

————————

THE 1975 WORLD SERIES:

The Cincinnati Reds and the Boston Red Sox battled each other over the course of seven memorable baseball games during the drop of 1975. The Reds, managed by 41-year-old South Dakota native George “Sparky” Anderson, barely squeezed by the A.L.-champion Sox, 4 games to 3, to assume Cincy’s first world-championship title since 1940.

This ’75 Plunge Classic is regarded by many fans as the very best and most intelligent World Series ever played. Five of the seven games were decided by objective a lone rush (including each of the last two thrilling contests played at cozy Fenway Park in Boston) .

The “Tall Red Machine” of Cincinnati steamrolled its scheme to the National League pennant in ’75, winning 108 regular-season games and then sweeping the Pittsburgh Pirates in the NLCS in three straight. The Reds won the N.L. Western Division by an amazingly-decisive 20 games over their nearest rivals (the second-place Dodgers) .

Cincinnati’s imposing “starting eight” in 1975 was one of the best and most potent lineups ever establish on a baseball diamond. Here’s a inspect at the impressive lineup that National League pitchers (and Boston’s hurlers in the WS) had the difficult task of facing in ’75 — with some 1975 regular-season numbers also listed (B.A./HR/RBI) :

C — Johnny Bench (.283/28/110)

1B — Tony Perez (.282/20/109)

2B — Joe Morgan (.327/17/94 …. Was named NL MVP in ’75)

SS — Dave Concepcion (.274/5/49)

3B — Pete Rose (.317/7/74)

LF — George Foster (.300/23/78)

CF — Cesar Geronimo (.257/6/53)

RF — Ken Griffey Sr. (.305/4/46)

The 1975 Red Sox, piloted by 47-year-old Darrell Johnson, proved to be fine opponents for Sparky’s Red Machine in the post-season (to say the least) . The Bosox won 95 games during their A.L. regular campaign in ’75, and they breezed past the Oakland A’s in three straight playoff games (ending Oakland’s chance at winning its fourth World Series title in a row following the A’s “three-peat” in 1972-73-74) .

Boston, like the N.L. Reds on the other side of the diamond, had their league’s MVP — 23-year-old Fred Lynn, who also doubled as the American League Rookie-of-the-Year in 1975 as well. Lynn’s delicate first-year stats in ’75 included a .331 average, with 21 home runs, and 105 RBIs (plus an impressive .566 slugging percentage) .

Lynn gave an indication of his productive seasons to approach by procedure of his brief ‘cup of coffee’ with the Red Sox at the ruin of the 1974 season, when he batted .419 in 15 games (with a .698 slugging sign) . But Freddie peaceful generous as a “rookie” in ’75.

The Sox roster also featured the likes of Carl Yastrzemski, Dwight Evans, Bill Lee, Rick Burleson, Carlton Fisk, Luis Tiant, Rico Petrocelli, Rick Wise, and Jim Rice. Rice (.309/22 HR/102 RBI in ’75), fortunately for the Reds, was injured and could not play in a single game of the World Series.

By the design, Boston skipper Darrell Johnson, ironically, was a back-up catcher for the Reds for parts of two seasons (1961 and 1962), which included a career-high .315 batting average for the pennant-winning ’61 Reds’ squad (albeit in unbiased 20 games; 54 AB; 1 HR) .

The ’75 World Series, numbers-wise, was about as evenly-matched as you could fetch — with the Reds batting a collective .242 (59 deplorable hits), while the Red Sox swung the lag at a combined .251 clip, with 60 hits.

Other tightly-knit WS stats:

Runs Scored:

Reds 29; Sox 30.

Team ERA:

Reds 3.88; Sox 3.86.

Cincinnati third baseman Pete Rose was named the MVP for this ’75 World Series. Pete batted .370 during the seven games (10-for-27), with 3 runs scored, 2 RBIs, and 5 walks.

I can vividly retract watching these games on television in ’75, plus one game that I saw in person, which was Game #4 at Riverfront Stadium in Cincinnati, Sadly, for me (being a Reds’ rooter), that one turned out to be a Reds’ loss, as Luis Tiant picked up his second complete-game net in the Series, defeating Cincy 5-4. A standing-room-only crowd of 55,667 crammed into Riverfront that Wednesday night (10/15/75) .

Via this nice DVD station, I can now search for that fourth Series game in my living room, instead of from the seat that I occupied in Peanut Heaven (aka: the “Nosebleed Portion”) in left-center field at Riverfront attend in ’75 (Upper Deck; Aisle #339; Row 10; Seat 102) . Even though that was hardly the best seat in the house, it’s mild a titanic childhood baseball memory….to have attended a game during one of the most illustrious World Series in baseball history.

I detached have the effect stub from that game too (the price cost fair $10.00, which must be a descend in the bucket compared to WS heed prices in the 21st century…even for seats up in Peanut Heaven) . :)

For those who can remember watching all seven of these classic Reds/Red Sox battles succor in 1975, this DVD Collector’s Edition will easily rekindle every single memory without remarkable prodding at all.

Memories such as:

>> Luis Tiant’s gyrations on the mound. (Was Tiant “balking”? Sparky Anderson and the Reds notion so.)

>> The “Fisk/Armbrister” rhubarb in Game 3 at Riverfront Stadium. (Was it really interference? You determine. You’ll search for the replay a dozen times thanks to the Game-Three DVD provided in this collection.)

>> The persistent Unique England rain that resulted in a three-day delay prior to Game Six.

>> The two pinch-hit homers by ragged Red Bernie Carbo (one in Game 3 and an unbelievable three-run, game-tying monster shot in Game 6, that sent the Fenway Park crowd into a frenzy) .

>> Joe Morgan’s game-winning RBI blooper in Game 7.

>> The Dwight Evans “secure” of Joe Morgan’s wreck.

>> Tony Perez “connecting” on a super-duper Bill Lee blooper pitch in Game 7. (Lee, IMO, should have been hasten out of Boston town on a rail for bold to throw that ridiculous circus-like pitch in Game #7 of a World Series to ANY member of the “Enormous Red Machine”. It was a bomb ready to explode in Lee’s face. And it did.)

>> George Foster’s throw from left field to Johnny Bench in Game 6 to nail Denny Doyle at the plate. (I can vividly engage the ecstasy of seeing the umpire’s “out” call to complete this double play and retain Game 6 tied.)

>> Cesar Geronimo squeezing Carl Yastrzemski’s lofty cruise ball to center field for the final out in Game 7.

>> And, of course, The “Please Halt Pleasing” Home Urge …. i.e., Carlton Fisk’s Game-Six walk-off clout off the nasty pole to knot the Series at 3-3.

And it’s all here in this comprehensive DVD space from A&E/MLB. Every game. Every clutch hit. Every home rush. (Sans the TV commercials; those have not been included here.)

————————

THE DVDs AND THE PACKAGING:

The packaging, the peep, and the overall presentation for this 7-Disc DVD Collector’s Edition is first-class all the procedure down the line. It couldn’t possibly be any better, IMO.

Each of the seven World Series games gets its maintain separate single-sided disc, with pleasing bright-red disc art.

The video quality for all of these games looks attractive decent in most places to me, being petite, of course, by the age of the decades-old current taped source material. Close-up shots are definitely clearer and more graceful than are the longer, more-distant camera shots, which suffer from much “ghosting”; and all of these games will no doubt behold better on a smaller TV conceal. The bigger your monitor, the more digital annoyances you’re likely to peek. But, overall, I’m gay with the PQ here.

Unlike baseball telecasts nowadays, you’re not going to derive all of the flashy graphics or the constant barrage of detailed stats on your conceal in these ’75 games. Baseball broadcasts in 1975 were mighty “quieter” and less frenetic, with less intelligent around of the camera and far fewer instant replays (and no “Fox Box” telling you the salvage up in the corner all the time) .

The camouflage ratio for these games is the new Full-Frame television ratio of 1.33:1, as it should be. Audio is supplied by more-than-adequate-sounding Dolby Digital 2.0 soundtracks. (Evidently, per the packaging, the audio is in “2.0 Stereo”; but it sounds about the same as 2.0 Mono for the trusty game coverage.)

An audio glitch exists, however, during Game 1. For 1.5 innings behind in that first game the audio is totally out-of-sync with the video, with the describe running ahead of the sound by approx. 10 seconds. It’s a bit of a goofy glitch, in that the A/V aren’t even conclude to being in-sync. Weird how that would sneak through to the finished DVD. But it did.

However, the footage with the audio predicament (like the missing footage from Games 2 and 3) does not involve any run-scoring plays on the portion of either team.

Another negative factor to these DVDs is the ever-present “MLB” watermark (logo) that has been placed in the upper right-hand corner of the veil throughout this entire DVD space. I can’t say I really like that logo being stuck up there 100% of the time. However, at least it’s not too intrusive, and it blends fairly well into the background (because the watermark faded here is a transparent one) .

But even with a few things to gripe about, this World Series DVD area is, without a doubt IMHO, composed a mandatory bewitch for long-time Reds’ fans.

The Packaging…..

Each disc/(game) gets its absorb slim (definite) plastic case. The covers for the seven cases are jam-packed with all kinds of fun facts, trivia, and ’75 Series statistics. These “SleeveStats” also provide the complete box pick up for each Series game, printed accurate on the befriend of each game’s case.

Plus, on the inside of each case, the play-by-play for each and every inning of that game is printed out. So, at a peer, you can spy what every batter did in each of these WS games.

A immense amount of work and detail and research has obviously gone into creating the “SleeveStats” for these DVD covers. There’s so noteworthy text, data, and fun stuff on these cases, unbiased reading all of the info on them takes an hour or more.

And the box scores on these DVD covers build my homemade, handwritten-in-pencil box scores of the same games to shame. It’s kind of fun, however, to go through my occupy handmade scorecards for these games (that I created when the World Series was playing out on live TV in ’75) and compare them to the DVD’s stats and to the real-time action when watching the games on these discs.

All seven slim cases fit comfortably into a very nice outer slipcase box (which is also brimming with additional statistics and trivia) . And this outer carton is not any flimsy, tissue-paper-thin throwaway box either. It’s constructed draw better than that. It’s very durable, heavy, and sturdy. “Modern Video” (which distributed this status for A&E Home Video in the USA), in fact, has been very marvelous about supplying well-constructed boxes for its multi-disc (or multi-VHS tape) sets. And this one is fair perfect, and is certainly one DVD box that should be able to stand the test of time.

I like the difficulty that went into producing this collectible boxed spot. It has the see and feel of a safe “keepsake”. Plus, the accuracy and attention to exiguous details that can be found on these DVD cases is also impressive, lawful down to listing the “Game Time Temperature” for each of the seven Series contests.

The perfection of this DVD spot, for me, even extends to the type of slim cases venerable to possess the discs. I’m kind of a persnickety fusspot when it comes to packaging and case types, and the slim cases utilized here are (IMO) the best designate out there. They occupy the discs firmly, but not like a vise. The DVDs are very easily removed from their holders/hubs. I’m not positive of the loyal impress name of this case type, but the ones in the site I received are by far my well-liked heed. (I’m assuming all other copies of this product have the same type of inner cases included; but that might not always be fair, given the expansive number of DVD case manufacturers in existence.)

I haven’t been able to station any errors of any major substance when reading these info-packed DVD covers. I have renowned a couple of very minor errors, however, including an wrong date shown for the no-hitter that Rick Wise threw against the Reds. The DVD case indicates that Wise tossed that no-no in 1972. It actually occurred in 1971 (06/23/71) .

And what makes that particular no-hit game so extra-special is the fact that Wise also hit TWO home runs in the contest — which made that game one of THE most spectacular “one-man shows” in baseball history (a fact that I assume is often overlooked by historians) . Rick Wise was a one-player wrecking crew that night at Riverfront Stadium.

Luckily for the Reds, Mr. Wise (a member of the Red Sox in 1975) wasn’t able to expose his no-hit performance during his one ’75 WS begin. The Reds tagged him for 5 runs in 4.1 innings in Game 3. Wise, however, did purchase up the score in the scandalous Game #6 at Fenway Park.

Another petite mistake on the packaging (and on the DVD Menus) involves the spelling of Cincinnati radio announcer Marty Brennaman’s last name. Marty’s name is misspelled more than one time on the boxes and the Menus. I’m guessing, though, that Marty is probably accustomed to that type of error re. his name. I can report to that type of thing myself. :)

————————

BONUS MATERIALS:

A few nice bonus items are section of this elegant boxed place too. All of these extras are located on the “Game 7″ disc. There are 30 individual “Bonus Clips”, mainly consisting of short 1-to-2-minute interview segments with the players that were recorded in the last few years.

But in addition to the newer, contemporary interviews, there are a few vintage 1975 pre-game and post-game interview snippets on tap here as well — including an interview with Carlton Fisk unbiased after he smacked his never-to-be-forgotten home speed in Game 6.

There’s no “Play All” option for these thirty Bonus Clips, which would have been useful here I deem. But, instead, returning to the “Bonus” Sub-Menu is required to opinion the clips individually.

There are two other short bonus items on Disc 7 that I very remarkable enjoyed seeing — “Downtown Rally” (1:07 in length) and “Introducing ‘The Great Red Machine’” (1:48) .

The “Rally” bonus was filmed in downtown Cincinnati in tedious October 1975. The victory celebration clip features Commissioner Bowie Kuhn’s presentation of the World Series trophy and a few comments made by Reds’ players.

The “Introducing” bonus consists of Reds’ player introductions before one of the three games played at Riverfront Stadium. Long-time Cincinnati P.A. announcer Paul Sommerkamp is the stutter heard here.

In addition to the above-mentioned bonus items, the Reds’ post-game clubhouse celebration (with NBC-TV interviews) is also included on Disc 7. That clubhouse footage isn’t found in the “Bonus” position of the disc, but instead can be located at the ruin of the regular Game-Seven telecast on Disc Seven. And I’m very gay that was included in this package, because it puts the first-rate “We’re #1″ cap on the Reds’ sizable 115-win 1975 season.

The clubhouse footage features some classic Reds’ interviews too….especially Marty Brennaman’s sparkling interviews with Series MVP Pete Rose and the super-excited and voice-cracking Johnny Bench. Rose’s comment about how he felt like he was about to “have a coronary” due to the intense excitement of Game 7 always cracks me up. :)

————————

OTHER DVD INFO:

Total Running Time (All Discs) — Approx. 17.25 hours (not counting the extra bonus features) .

Menus — The Interactive Menus are very well-designed. A brief intro/montage of “Reds’ Baseball Action” has been integrated into the Main Menu (upon initial disc load-up only) . No music. Menu choices: “Play Ball!” (to open watching that disc’s game) and “Inning Selection”. An additional option for “Bonus Clips” is indicate for Disc 7 only.

The “Inning Selection” site is very icy, exhibiting a nifty “baseball-flavored” compose. When going to the “Inning” Sub-Menu, the rotund inning-by-inning line accumulate for that game is visible (including the final “Runs-Hits-Errors” totals) . A “baseball” icon enables the user to navigate within the line pick up, with any half-inning being selectable.

The Main Menu screens for all discs are knowing and sight vast on a colossal 50-inch cover….especially the vivid and gratified Cincinnati Reds’ “wishbone C” (circa 1970s) logo, which features well-behaved ol’ #27 running inside the logo. (#27 being the then-Reds’ mascot, known as “Mister Red”. Interestingly, during the years when this cool-looking team logo was being archaic, the Reds never assigned a proper player the number “27″. It was reserved exclusively for “Mister Red”.)

————————

A FINAL Beautiful RECOMMENDATION:

A “Colossal Red Machine”-era Cincinnati Reds’ fan (or anyone who appreciates darn-good baseball) can’t support but be enraged about this satisfactory DVD place of virtually-uncut games, highlighting one of the greatest World Series of all time.

“The Cincinnati Reds 1975 World Series Collector’s Edition” is destined to be one of my most-treasured DVDs ever purchased.
Master Cleanse

Purchase The Ten Commandments From The Internet.

August 2nd, 2010
Purchase The Ten Commandments From The Internet..
Purchase The Ten Commandments From The Internet..

Product: The Ten Commandments
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While Cecil B. DeMille’s directorial skills were sometimes too rooted in the more grandiose style of the peaceful era, he CERTAINLY was ALWAYS a master showman, and his 1956 remake of “The Ten Commandments” is a whale of a exhibit! Both pious and profane, posturing and right, it isn’t titanic history, but it abounds in spectacle. While he was in unpleasant health during the filming (suffering a seizure that was either a stroke or peaceful heart attack, while working under the 130-degree Egyptian sun), his distinctive ‘style’ was never more in evidence, with colossal, overwrought performances, comely costumes and sets, monumental climaxes, and morals that are repeatedly hammered home. In ‘classic’ DeMille, there ARE no ‘grays’, everything is ‘good’ or ‘evil’, and ‘evil’ WILL be punished! Watching the film, you’ll either relish the ‘ride’, or you’ll groan, again and again. Personally, I care for it, even with it’s unintentional(? ) campiness!

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Among my accepted ‘so dreadful it’s FUN’ moments are ‘Rameses’ Yul Brynner and ‘Nefretiri’ Anne Baxter’s frequent utilize of “Moses, Moses…” whenever he predicts something dire (Brynner looks like he can barely hold a straight face, uttering the phrase) ; ‘Sephora’ Yvonne De Carlo’s stoic, yet impassioned pitch to Moses to marry her, always looking away (‘into the future’, I presume), when comparing her assets to Nefretiri’s; ‘Dathan’ Edward G. Robinson’s entire performance (nearly memoir hamminess from one of America’s finest film actors) ; Woody Strode’s Ethiopian ‘Princess’ companion, who praises Moses’ kindness with so great heat and honey that Nefretiri suspects he was fooling around, down south; and Sir Cedric Hardwicke’s ‘Sethi’, turning an Egyptian Pharoah into a world-weary lovable executive-type (one can’t back but wonder how Rameses could be HIS son!)

Compared to Baxter’s scenery-chewing, and Brynner’s posturing, Charlton Heston’s portrayal of Moses is so understated that he’s often been criticized as ‘wooden’ in the role, which is unfair; while DeMille frequently posed him to match classic statues and paintings, his complete earnestness in the role, combined with his sheer physical presence, keeps him from receding into the backround of the spectacle that surrounds him. Despite thousands of Egyptian extras portraying Hebrews during the extraordinary ‘Exodus’ sequence, filling the veil, Heston always grabs and holds your attention; certainly no actor has ever been a more memorable Moses!

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The film has some very determined merits; many of the special effects (particularly the ‘Angel of Death’ vapor, and the massive parting of the Red Sea) are composed fantastic, today; Elmer Bernstein’s procure is an often ‘over-the-top’ joy to listen to; and the cast includes some very enthralling supporting players, including Nina Foch, Vincent Effect, and DeMille’s longtime associate, Henry Wilcoxon.

Taken as spectacle, as a mammoth entertainment for the senses, “The Ten Commandments” is quite a reveal, and it’s continued popularity over the past half-century is proof that many are unexcited captivated by it.

Cecil B. DeMille, master showman, knew his audience!

Okay. I admit it. Watching this Biblical chronicle, when it was a mainstay on ABC each Easter evening for some 30 years, I practically had the whole script memorized. . .even knew when Anne Baxter, as over-eager Nefretiri, would trip into a wickedly improbable pattern of over-acting. (“Moses. . .” she would coo, “occupy me in your arms. . .”) I must have seen THE TEN COMMANDMENTS dozens of times, and yet, each year, I plopped my carcass on the couch on Easter evening, popcorn and suds in tow, and watched Cecil B. DeMille’s 4-plus hour tale, completely mesmerized and entertained.

All of us know the story: a once-great Egyptian prince leads his good people, the Hebrews, into freedom from four centuries of slavery and bondage. It is a astronomical sage, as four books of the Obsolete Testament aptly, well, attest. Yet what makes this flick truly amazing, impressive, and fun to glance, is the scope and vast scale of DeMille’s 1956 epic–from the awesome vistas of Egypt, portrayed on a blue hide in some Hollywood studio, to the blatantly corny, often amusing, dialogue and actions of its characters (a distant reflection of the restful film icon who dominates this portray) . Accordingly, THE TEN COMMANDMENTS, in particular, this DVD Special Collector’s Edition, is an absolute blast for film buffs thirsty for more trivia and knowledge regarding one of Hollywood’s alltime classics.

Here, in the unbelievable commentaries that accompany the film, “The Ten Commandments” student and author Katherine Orrison furnishes an astonishing, arresting, and overwhelming avalanche of information. For instance: Did you know that DeMille’s first choice for Queen Nefretiri was not Anne Baxter, but Audrey Hepburn? Yet, unfortunately, Hepburn lacked the figure to maintain out the silk gowns so prevalent for her character, so Baxter got the nod. And. . .William Holden, not Yul Brynner, was pegged to play Rameses. . .yet Bill didn’t want to have his head shaved, while Brynner was an international star following his clean-shaven skullcap in the “King And I.” Brynner looked “Egyptian”; he got the fragment, Holden was dispatched.

And I loved the “diaper pen” disclosure of infant Fraser Heston, who, of course, is Charlton Heston’s son, and who played the baby Moses. I’ve watched this movie, again, dozens of times, but I never noticed the glistening diaper pen on sturdy Fraser’s diaper, as the baby laid in his willowy basket, until a giggling Orrison brought it to my attention. Yep, there it is; yet DeMille was on a tight schedule. No time to go relieve and lawful.

In fact, I did not realize that DeMille, 75 when this film was made, suffered a devastating heart attack during production–a setback that threatened to bring the entire project to its knees, before his ambitious daughter filled in for her father, for three short days, before DeMille returned to navigate THE TEN COMMANDMENTS to its historical conclusion. This is pleasurable stuff, and Orrison furnishes tiny details of impartial about everything in bright fashion.

So, although Chuck and the gang no longer dominate ABC entertainment on Easter evenings, THE TEN COMMANDMENTS calm dominates the hallowed tier of record lexicons. This movie, after some 50 years, continues to uplift and entertain; and this collector’s edition, with its just remove of the facts, merely enhances the viewing experience.

–D. Mikels, Author, WALK-ON

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The Masque of the Red Death / The Premature Burial At Amazon.com!

August 1st, 2010
The Masque of the Red Death / The Premature Burial At Amazon.com!.
The Masque of the Red Death / The Premature Burial At Amazon.com!.

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This is MGM at their best. A double-feature DVD with two Roger Corman classics, both in glorius widescreen, both in appetizing technicolor. The first gem, “Masque of the Red Death”, has never looked better. A fable of decadence status during the dusky plague, here represented as the “red plague”, thus Edgar Allen Poe. But where Poes fantastic poem ends, is, so-to-speak, at the destroy of this film. Corman took Poes gross vignette on the dusky death and spun a anecdote of Satanism versus Christain conception, all position in a richly atmospheric castle in the middle of a hellish landscape — For those of you squemish about anything to do with Christianity, judge of it as a morality play of Friendly against Evil; afterall, Corman is rather ambiguous as to who the hooded “death characters” really are — And our host to the party to destroy all parties, none other than Vincent Effect himself.

The second film, Premature Burial, I’d never seen until this DVD. It is not as hypnotic at “Masque”, but it is a fun, macabre poke into madness with a edifying actor, Ray Milland, at the helm. Also starring the very sexy, very voluptious Hazel Court, which some Hammer Awe fans may remember from the up and coming dvd “Curse of Frankenstein”, due out in October. The film is presented in widescreen. Both films, one on each side of the DVD, include very nicely produced extras with Roger Corman, giving some nice information on the creation and production of both films. If your a fan of Vincent Label, select it for “Masque”. If your a fan of Roger Corman, you will not be disapointed in either film.

Premature Burial may be considered merely an extra, on this DVD – it’s passable, but overall not that hot. The trusty star of the indicate is Roger Corman’s Masque of the Red Death, one of the best of his Poe cycle films. Both movies were co-scripted by genre master Charles Beaumont, a frequent Twilight Zone contributor, the ancient with assistance from fellow genre master Ray Russell. Premature Burial is the less impressive of the two due to general dwelling design, which is rather hackneyed and predictable, and Ray Milland simply didn’t have the presence for this kind of work that Vincent Ticket did.

Masque of the Red Death is a very clever rendition of two of Poe’s best works, the title sage and another lesser-known exiguous part of nastiness called “Hop-Frog.” Brand plays the injurious fourteenth century Prince Prospero, who safely ensconces all his country’s nobles tedious his castle’s walls to withhold them edifying from the dreaded plague of the “red death” that is ravaging the populace. Prospero is a decadent and sadistic Satanist, who views his role in the proceedings as that of more or less a diabolical Noah, preserving his believe kind until the plague passes. One of his guests – an equally detestable Patrick Magee – is horribly murdered by a dwarf he mocks and despises, constituting the “Hop-Frog” subplot. Prospero, meanwhile, delights in attempting to seduce and degrade innocent Christian peasant girl Jane Asher, mighty to wife Hazel Court’s titanic ire and fright. Eventually, an uninvited guest wearing the forbidden color red appears in Prospero and his partygoers’ midst, whom Prospero takes to be none other than Satan, himself, near to delight in Prospero’s ghastly handiwork – but who is actually none other than the Red Death, personified, with more than one grisly surprise for Prospero…

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The dialogue and symbolism in Masque of the Red Death are stellar. The Red Death mocks Prospero from gradual his screen, hinting at powers and knowledge Prospero only pretends to occupy. When Prospero suggests that only Satan could have sent him, since he believes Satan rules the universe, the Red Death wryly responds, “He does not rule – alone…” The concluding exchange between the two, and the monstrous finale of gaudily dressed partiers dying in an off-key, bloody ballet, is radiant – the whole film is very Ingmar Bergman-esque. The production is suited, extremely intelligent, with absolutely shapely sets and costumes.

Buy it for Masque of the Red Death. You might even relish Premature Burial, too.
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Lowest Selling Price For Goal! – The Dream Begins At Amazon.

August 1st, 2010
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Slickly made and featuring a terrifically attractive performance from its lead man Kuno Becker, Goal is the epitome of a your rags-to-riches fairy narrative, a truly romanticized ode to wonderful dreams. Thankfully, the direction and performances are generous enough to come by us through the progressively hackneyed storyline and a screenplay that seems intent to offer up almost every single cliché in the book.

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Illegally crossing into America as a child, Santiago Muñez, grows up in the barrio of East Los Angeles, definite of only one thing – his indelible like of soccer and that one day he wants to do something with his talent. He supports himself by working as a kitchen hand in a Chinese restaurant and as a gardener for his blue-collar dad, Hernan (Tony Plana) who tells him to finish dreaming and focus on supporting his family.

Glen Foy (Stephen Dillane) – a part-time talent scout and a frail championship footballer with contacts in U.K. soccer world – spots Santiago playing and manages to persuade Erik Dornhelm (Marcel Iures), the German manager of Newcastle United, to give Santiago a tryout if he comes to the U.K.

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With the assist of his profitable grandmother (Miriam Colon), who tells him “to follow his dream,” Santiago arrives in London, takes the whine north and turns up unannounced on Glen’s doorstep. Now in the frigid and rainy Northeast England, Santiago has a month to exhibit himself profitable of playing alongside the cocky playboy David Beckham-like star Gavin Harris (Alessandro Nivola) .

Apart from the obviously clichéd stare of the film – Los Angeles is filmed in shades of burnt out orange and the UK is constantly awash in rainy washed-out blue – the dreadful Santiago is faced with many hurdles and indeed looks like an exotic looking fish out of water as he fights to discontinue on the reserve soccer team and effect his inevitable path towards football glory.

The drama comes from the fact that he keeps mucking up. He’s not broken-down to playing in the rain and mud and there’s the spot with his asthma that he keeps secret from Dornhelm and the sparkling team nurse (Anna Friel) whom he has a crush on. He’s on the team and then he’s off the team, then there’s a tragedy at home which forces him to rethink his priorities, and then he’s faced with the inevitable accurate choice of being an right young man rather than party with the irresponsible Gavin.

The stereotypical characters are all here – the conceited and uncaring agent, the salubrious grandma, the love-interest nurse, the cheering coach, the despicable team member, the truculent father, the quietly supportive kid brother. The film starts off very strong – the best scenes are those place in Los Angeles – but the myth steadily begins to hinge on contrived coincidences and eventually starts to peep like one long training session.

Becker is the main reason to stare this film – he’s an actor with a huge future, a charming, ruggedly fine-looking presence, and even though his playing scenes are clearly doubled, we fetch a strong feel for the character both on and off the pitch.

Of course, we do salvage caught up in it all as the film surges to its astonishingly predicable conclusion, which mainly tugs at the heartstrings because this radiant cast has managed to obtain our sympathy. Perhaps the next two installments of this anecdote – yes, there’s a Goal 2 and 3 soon to be released! – will generate a bit more invention and creativity and finally invent this franchise of Santiago’s stagger, a epic that we can truly root for. Mike Leonard October 06.

Yes, this is another sports biography that offers a stage on which to play out the drama of the possibilities of dreams of the disenfranchised to become a reality. There are many, many films like this one and will doubtless be more: something there is about the ‘team spirit’ in the identity crisis of whether or not the terrible (financially) recent guy will be able to form the physical grade that draws astronomical audiences. It is a formula and it often works despite customary structure and production values.

In the case of GOAL! THE DREAM BEGINS the viewer can build aside the doubts as to whether the film can create it on its own: this miniature gross profile movie is well written (Mike Jefferies’s tale adapted for the shroud by Adrian Butchart), well directed by Danny Cannon who knows well how to integrate live sports scenes into the drama, and consistently well acted by a troop of marvelous actors, beginning with the very vibrant, dazzling, and charismatic Kuno Becker (‘Lucia, Lucia’, ‘Imagining Argentina’, ‘Once Upon a Wedding’, ‘English as a Second Language’), a 28 year broken-down Mexican actor with an assured future in the lead role of Santiago. The supporting roles are classy contributions by the gifted Alessandro Nivola (‘The Sisters’, ‘Junebug’, ‘The Clearing’, ‘Laurel Canyon’, ‘Love’s Labour’s Lost’, ‘Mansfield Park’ etc), the very attractive Anna Friel, Stephen Dillane, Marcel Iures, Tony Plana, Miriam Colon to mention only a few.

The myth is secondary: as a child devotee of soccer Santiago immigrates illegally into the US with his family, grows up in Los Angeles working as a gardener, a dishwasher and other menial tasks while he consumes his spare time with developing his modern talents for soccer. Despite his father’s insistence that he remain with the family business of gardening, Santiago is discovered by a scout on vacation from England, a bond develops and soon Santiago is off to Newcastle to pursue his dream of being a professional soccer player. The rest is dazzling sure – the ups and downs of an asthmatic kid competing in the wild world of sports. The star of the moment is Alessandro Nivola and despite the differences in their goals and social life they become friends who wait on each other in tender ways. There is of course a esteem interest, telephone calls and encouragement construct Santiago’s grandmother, adjustments to life in the UK -all altering the road toward Santiago’s eventually attained goal.

The film is a bit lengthy (two hours) for the bellow, but then we understand this is the first of a trilogy, so obtain venerable to the tale and the characters as they all remain constant for the next two installments. Whatever reservations you may have about sitting through another predictable sports movie fair relax them: Kuno Becker alone is worth the time invested in this very attractive runt film. Grady Harp, September 06

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Buy A Very British Gangster Blu Ray At Amazon!

July 31st, 2010
Buy A Very British Gangster Blu Ray At Amazon!.
Buy A Very British Gangster Blu Ray At Amazon!.

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Despite being an American, I’m very fervent in England and am a bit of an Anglophile so I generally gravitate towards the country’s films. A Very British Gangster was an exceptional documentary that revealed the rotund complexity of a man whose life seems to have already been decided. We inspect at the demolish of it that he is going aid to jail but his attitude and everything about his character suggest that his final destination is a foregone conclusion. The police follow him everywhere and it’s quite likely that the filmmaker was not the only individual who recorded many of these conversations. What we regain most is that Dominic Noonan is, in many ways, a normal man with a variety of relationships and concerns that must be negotiated. Most of his criminality is merely hinted at here, but it seems very unlikely that–even if he is re-released–he will conjure up the will to change his life. This is an endearing and well-crafted portrait of a doomed man.

Though I’m not remarkable for documentaries, a friend recommended this flick so I gave it a shot and enjoyed it immensely. A very human face is painted on an otherwise historically vicious neighborhood gangster such that you almost feel sorry for him .. but not quite. If you’re the type of person who likes the conception of people who live in a neighborhood looking out for the neighborhood, you’ll savor this documentary.
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Lowest Selling Price Found On French Connection 2 At Amazon.

July 30th, 2010
Lowest Selling Price Found On French Connection 2 At Amazon..
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Considering the enigmatic ending of the Oscar-winning “The French Connection,” a sequel seemed obligatory. But four years later, it’s likely that no one was expecting the harrowing twist that came with the follow-up’s station.

This time directed by John Frankenheimer, gruff, foul-mouthed, brute narcotics officer Jimmy “Popeye” Doyle (Gene Hackman) travels to Marseilles, obvious to close the elusive drug kingpin Alain “Frog One” Charnier (Fernando Rey), whom he failed to terminate in Fresh York City. Once in France, Popeye is met by Inspector Henri Barthelemi (Bernard Fresson), who resents the former’s grievous and obscene crimefighting demeanor. Doyle finds himself as a fish out of water in France, where he is matched with a language he can’t understand, eliminating one of his most useful weapons–his mouth. Positive to rep Frog One on his acquire (and unaware he is being old by Barthelemi to lure Charnier into the initiate), Popeye escapes his French escorts. Now here comes the unexpected; in an ironic twist of fate, Doyle is kidnapped by Frog One’s henchmen and forced to assume heroin in an attempt to engage information from the narcotics agent. Left abused and humiliated by Charnier, Doyle is forced to go through a long, agonizing cold-turkey withdrawal from the heroin forced upon him. Now distinct more than ever to end his nemesis, we follow Popeye as “French Connection II” unfolds in a satisfying manner, like a crime drama should.

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Filmed with a grainy cinematography, matching the mood of the myth, this sequel is honest as involving as the unusual, while Hackman’s performance–especially during the grizzly-to-view withdrawal sequences–is uncompromising and breathtaking, though no Oscar nomination went his plan (though a Golden Globe nod did suffice) . The script allows for surprisingly deep insight to the seeminly two-dimensional character of Popeye Doyle, while Frankenheimer’s directing is tight and effectual. “French Connection II” is honest as large as the unique (though not as well-received), if not more fascinating, and in some aspects, noteworthy more harrowing and down-right gritty…a word always associated with the “French Connection” films.

Entertaining, gritty and taking the character of “Popeye” Doyle to fresh lows. Beneficial performance by Gene Hackman, it may not have the horrid action and the distinguished stir scene but on its contain, “FRENCH CONNECTION II” is a ample film and very consuming.

Four years since the unique “THE FRENCH CONNECTION”, in 1975, the sequel would be released. Where the first film was based on loyal events on the lives of Eddie Egan and Sonny Grosso, the sequel is more fictional.

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This time around, Doyle goes to France to go after Charnier. Being in a modern country, Doyle is a fish out of water and knows that what he was musty to Unusual York, it’s not going to hover in France, especially with the gendarmes.

But unbeknownst to him, after he’s spotted by Charnier, Doyle is kidnapped and the hard-nosed cop that we saw in the first film will be fighting for his life and be broken down severely.

A riveting film, it may not be at the same caliber as the first but it’s unruffled a very spicy film.

If there was one thing that “FRENCH CONNECTION II” was very fortunate to have and that was the return of Gene Hackman reprising his role as Doyle and most importantly having a talented director, John Frankenheimer known for his work in “The Manchurian Candidate” and many other films (a side note: Car perambulate scenes have a “FRENCH CONNECTION” tie-in with the producer of that film also producing “BULLIT” and Frankenheimer who worked on “FRENCH CONNECTION II” creating one of more common current car fling scenes in his film “RONIN” in 1998) .

VIDEO & AUDIO:

The portray quality for “FRENCH CONNECTION II” is actually glorious advantageous. Where “THE FRENCH CONNECTION” focused more on the grittiness of Novel York City with its shades of blues and expend of blacks and director William Friedkin making definite that the Blu-ray disc showcases the film as he wanted, “FRENCH CONNECTION II” was filmed in France and featured the beauty of France with favorable sunlight and vibrant colors during the outdoor scenes. But also managing to seize the gritty and grimy areas of France.

Similar to the first film, there is a suitable amount of grain but with the film shot in Marseilles, France and a lot of sunshine and really exciting locations in France, considering how aged this film is, overall it looked gorgeous advantageous.

As for the audio, the audio is featured in 5.1 DTS-HD Master Audio. Similar to the first film, the film is dialogue-driven and also showcases the music of Don Ellis. Dialogue and music is quite positive and the film does feature more gunshots. But overall, the film is mainly dialogue and music driven.

SPECIAL FEATURES:

“FRENCH CONNECTION II” comes with a marvelous number of special features.

* A Conversation with Gene Hackman – Gene Hackman expresses his feelings of working on a sequel and also lustrous that perhaps director Frankenheimer may not be so delighted doing a sequel but nevertheless did a salubrious job but also felt the film was underappreciated because of the success of the first film.

* Commentary by Gene Hackman and Producer Robert Rosen – This commentary features both men (not at the same time) . You mostly hear Robert Rosen talk and his commentary is more on the challenges. Especially working with Frankenheimer who was not so thrilled of working on the sequel and Rosen reveals a lot. From the grief of getting Mickey Mantle to give permission to expend the “Mickey Mantle sucks” line to how the scene in France with Doyle running around looking for Charnier. An informative commentary but quite a few stupid air. Hackman chimes in at positive key parts of the commentary but it seems the two were together but I contemplate that Hackman was recorded at a separate time.

* Commentary by Director John Frankenheimer – The new DVD release was abet in 2001, Frankenheimer passed away in 2002. So, this commentary is actually quite treasured as its one of the few DVD’s to feature commentary by Frankenheimer. For filmmakers, Frankenheimer’s commentary was technical and thus you learn quite a bit about clear takes. Of course, he credits Gene Hackman making it easy for him. Overall, a well done commentary!

* Frankenheimer: In Focus – This lengthy featurette is actually lovely awesome. A celebration of Frankenheimer’s career as a filmmaker and television director. You glean to learn a lot about him through his wife, his daughter and those who have worked with him.

* Isolated Obtain Track (DTS MA) – For those who appreciate Don Ellis’s music in the film, you can strictly isolate the win if needed.

* Enhances for D-Box Motion Control Systems – For those who have D-Box Motion Control capability.

JUDGMENT CALL:

“FRENCH CONNECTION II” was a tough sequel for everyone alive to to manufacture and I can understand why director John Frankenheimer felt “intimidated” of taking on the role as director for the sequel (since he was a expansive fan of the first film) must have been on taking on the directorial responsibility.

Frankenheimer was a titanic fan of the first and what Friedkin was able to achieve, so he tried his best to support that in mind but most of all, because of his familiarity with France and the whole film taking spot in France, the them of Doyle as a fish out of the water in a city where he can’t be the scheme he wants and live the map he wants, definitely made the hard-nosed character vulnerable.

But you have to give a lot of credit to Gene Hackman. In the first film, “Popeye” Doyle was easily depraved but yet you rooted for him as he was going to engage down the criminals his design and his style. But with this second film, there is a worthy amount of time dedicated on the breakdown of Doyle and making him a junkie and then having to go through major withdrawals as they try to invent him well. Hackman did a astonishing job!

As for the Blu-ray disc release, it’s expansive to have one of the final commentaries of one of the most talented director’s of all time and it was a well-done commentary. The tribute to Frankenheimer with a special featurette on his career was another major plus that I was proud of.

Overall, “FRENCH CONNECTION II” was an appetizing film. Although not following the lives of Egan and Grosso like the first film, I feel that a chronicle on Doyle and seeing how he’s broken down by the criminals but then seeing him re-emerge to sincere revenge factual befriend at them was gargantuan.

If there was one thing that I wished was done, that is subtitling on the French. Determined, it’s not really needed but with a top-notch enormous of French being spoken, it would have been nice to peek subtitles for that.

But overall, it was an savory film and a blooming frosty Blu-ray disc transfer with a capable amount of special features .

Hopefully we may seek the return of “Popeye” Doyle or a passing of a torch for a third film over three decades later.
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Oedipus Rex Review At Amazon.com.

July 29th, 2010
Oedipus Rex Review At Amazon.com..
Oedipus Rex Review At Amazon.com..

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This version of “Oedipus Rex” is Sir Tyrone Guthrie’s famed 1957 production, which had the actors wearing masks unbiased as the broken-down Greeks did when first performing this classic tragedy by Sophocles. The masks, designed by Tanya Moisewitsch and Jacqueline Cundall, are slightly oversized and quite stylized: Oedipus (Douglas Campbell) wears a gold cloak with a crown atop and a golden cloak; blind Tiresias (Donald Davis) appears entirely in white; each of the members of the chorus has a distinctive hide as one of the musty men of Thebes. As befits the masks and costumes, there is a stylized formality to the acting. No one would argue that this is how the play was first performed in customary Athens but it does suggest the general come to Greek tragedy.

The narrative is well known to most audience, but attention should unexcited be paid because the key to the Sophocles version of the narrative is that the prophecy from Delphi that was told to the king and queen of Thebes is not the same that was told to Oedipus years later. A plague has arrive to Thebes and Creon (Douglas Rain) has returned from Delphi with word from Apollo. Creon is the brother to Jocasta (Eleanor Stuart), wife of Oedipus the king as she had been the wife of king Laius before him. He reports that the gods are exasperated that the murderer of Laius has not been brought to justice. Oedipus vows to do so and utters a curse upon the unknown killer. But when Oedipus demands that Tiresias whine the identity of the killer, the blind prophet of Thebes says the king is the very man he seeks. Thus the primal crime of the man who killed his father and married his mother is thunder step by tragic step.

The English translation is by the poet William Butler Yeats, which provides its maintain touch of the classical for the language of the play, which has been carve down to 90 minutes for this filmed version (which is essentially of the stage production) ; there is also so additional dialogue, primarily an introduction by the Chorus that provides an introduction to Oedipus as the hero who bested the Sphinx and saved Thebes. There is also an introduction by an actor before the play that explains the basic conception of Greek tragedy and also draws a connection between the epic of Oedipus and the Christian sacrament of communion. I like a more naturalistic come, even with Greek tragedies, but there is something compelling about this particular production. Because this is a streamlined version of “Oedipus Rex,” viewers will gather a estimable view of the basic structure of a Greek play, and at 90-minutes in length you can reveal the film in two standard class periods.

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Final Note: The fragment of the Priest in this Canadian production is played by a very young William Shatner, not that you can sigh because he is wearing a conceal. This is rather ironic given that the world would near tubby circle when a painted William Shatner/Captain Kirk shroud was passe by Michael Myers in the recent “Halloween” film, which would sort of be a contemporary Greek tragedy in a lot of ways.

I first saw this film (in a movie theater) in 1962 and had no conception what I was watching. Years later, as a high school and college English instructor, I knew lots about Greek tragedy and this version of Oedipus the King remains one of my celebrated dramatic experiences. You can’t win William Butler Yeats’ translation in print anymore because the (ahem) “scholars” have decided it’s not totally legal. Ever read any of the “scholarly” translations of Greek tragedy? Those professors can’t write poetry to keep their lives. They fabricate tragedy listless and stuffy. Yeats makes it breathe. And Tyrone Guthrie made tragedy “pop” in this thrilling 1957 production. In tune with Aristotelean requirements, there is a bare stage with a representation of Oedipus’ palace. The actors and chorus members wear masks (very discontinuance to the spirit of unique masks found by archaeologists), and they chant and disappear in dance-like cadences. At first, it may seem bizarre, but when you understand that you are being transported 2000 years into the past and watching drama being born out of religious ritual, you can sense the raw power of watching arrogant Oedipus tumble into end. The performances are visceral and perilous, the colors resplendent, the finish shattering. And you also obtain to sight a boyish William Shatner before he became Captain Kirk (you’ll peek him in the brief introduction; once he puts on a conceal you’ll have no plan which one he is) . Unlike the pretentious film auteurs of today who trail on and on, Sophocles packed his cautionary fable of human frailty into 90 taut minutes. I primitive this video for years in my Advanced Placement English classes, but I’ve also watched it many times impartial for entertainment.
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Lowest Price Found On The Dick Tracy Show: The Complete Animated Crime Series At Amazon.com.

July 28th, 2010
Lowest Price Found On The Dick Tracy Show: The Complete Animated Crime Series At Amazon.com..
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Tracy’s Entertaining Crew, September 3, 2006

Reviewer: Bennet Pomerantz “Bennet Pomerantz, AUDIOWORLD” (Seabrook, Maryland) – Explore all my reviews

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Chet Gould’s classic laughable strip Dick Tracy got a compose over in the 1961 racy cartoon series.

Dick Tracy was the point man of this cartoon series. He assigned cases to his junior detective/comic sidekicks Joe Jitsu (a karate Charlie Chan wannabe) and Go-go Gomez (a quickly fleet Mexican detective) . Both sidekicksa are voiced by Mel Blanc (the impart of Bugs Bunny) . These junior detectives combat cases with classic rogues’ gallery of Tracy’s villains like Flattop, Itchy, Mumbles, Prune face, etc.

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These so-called sidekicks were so considerable stereotypes. However this was theideal of most 1960′s animation and cartoons. The aninmated stereotypes were normal for TV at that time

The animation is generous and crisply done for 1960 TV animation, unlike the 1960′s Marvel involving pictures or filmation stuff with DC heroes (with Superman, Batman,etc) . It is stunning in interesting standards, not unbiased lips attractive like Clutch Cargo. It was UPI Studios who also did Mr Magoo cartoons, so there was a sense of quality to it. In my idea, It fared better than most of today’s stuff tv animation has to offer other than Hanna Barbara animation, which to me was and is the gold standard of cartoon excellence. I deem Ed, Edd and Eddie for an example of the worse of today’s spicy stuff. This DVD has no extra features, honest splendid well-kept family fun. It is worth getting for a keepsake of broad 1960′s animation.

However if you want reliable appealing TV Tracy adventures, I am holding out and waiting for TV Funnies with eight dinky Tracy Episodes (which are unavailable for DVD at this time) . Until then, this will have to do for my TRACY fix.

Bennet Pomerantz, AUDIOWORLD

At last on DVD, here are all 130 UPA five limited cartoons. Hailing from 1961, this series was created with Dick Tracy creator, Chester Gould as consultant. However, it’s a very light, slapstick-style cartoon with the modernistic, minimal sight UPA was known for. In the unhurried ’50s- early ’60s this was all the rage, as animators tried to earn puny animation techniques to fit TV’s runt budgets. At the same time, they had to compete with stock theatrical cartoons making their draw to the dinky veil, which had lavish studio facilities and bottomless wallets.

Hanna-Barbera would be the winner in the TV sweeps, offsetting exiguous animation techniques like characters running past the same tree or barber pole again and again and reusing heads and bodies by animating in layers (cels), with resplendent dialogue, top notch snort actors, whimsical character perform, intrepid graphic style and a current paintbox of luminous colors.

UPA is better-known for Mr. Magoo, whom UPA successfully transferred from award-winning theatrical cartoons to a number of TV series (which have yet to construct DVD) . Shown initially in syndication and later as The Dick Tracy Prove, this UPA series was extremely approved. Tracy has an office job in this reveal, merely dispatching jobs to his team of crime fighters: Joe Jitsu, Go Go Gomez and Hemlock Holmes (a British bulldog) . They may be considered stereotypes by some viewers, but the belief was to pit diverse and exaggerated profitable guys against the peculiar unpleasant guys who people Gould’s comics. Usually cartoons took these ideas straight across from the movies. Joe Jitsu is allotment crime-solver par excellence Mr. Moto, and incorporates the then-current rage for ju-jitsu. The Retouchables, the theme music cues us, retract the Keystone Kops. Rather than the shaded tone of Gould’s strip, however, the series has the light, slapstick tone echoing kids’ TV of the time.

The packaging is an fine album which opens to jabber four one-sides discs. Mine came packaged with a free 64 page unlit and white droll of Gould’s first three Dick Tracy adventures (which have nothing in current with the cartoon) advertising the notion to reprint Gould’s entire amusing series. That may be a limited-time premium. At any rate, here’s UPA’s first entry on DVD; let’s hope Mr. Magoo isn’t far gradual.
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